Nightlife | Singles,
One tempestuous weekend in March 1979 was not only the date of the Three Mile Island nuclear incident, but also, in Birmingham, England, the very first show by a nascent band known as The Beat. Introduced as “the hottest thing since the Pennsylvania meltdown”, the band had a sense that the next few years could well be explosive! The Beat hailed from working class, industrial Birmingham, England. When The Beat rushed on to the music scene in 1979, it was a time of social, political and musical upheaval. Into this storm came The Beat, trying to calm the waters with their simple message of love and unity set to a great dance beat.
The Beat were all about inclusion, rather than exclusion, and this showed in their personnel and their music influences. The original band consisted of Dave Wakeling on vocals and guitar, Andy Cox on guitar, David Steele on bass, and Everett Morton on drums – later additions Ranking Roger (toasting) and foundational First Wave Ska legend Saxa (saxophone) completed the outfit. The band crossed over fluidly between soul, reggae, pop and punk, and from these disparate pieces they created an infectious dance rhythm. Along with their contemporaries The Specials, The Selecter, and Madness, the band became an overnight sensation and one of the most popular and influential bands of the British Two Tone Ska movement.
By Christmas of 1979, The Beat were riding high in the UK charts with their first single, a smoking remake of the classic Smokey Robinson tune Tears of a Clown. Over the course of the next five years The Beat toured relentlessly and released three studio albums: I Just Can’t Stop It, Wh’appen, and Special Beat Service. The band toured the world, touring with such artists as David Bowie, The Police, REM, The Clash, The Talking Heads, The Pretenders, and The Specials, to name but a few. The Beat kept scoring hits with tunes that have now become so popular that it’s hard to remember a time when they didn’t exist, such as Mirror in the Bathroom, Save it for Later, I Confess, Stand Down Margaret, and their serene cover of the Andy William penned Can’t Get Used To Losing You.
Despite their huge success, The Beat continued singing about and acting on the problems we all face. They donated all the profits from their highly successful single version of Stand Down Margaret to the Committee for Nuclear Disarmament. They donated their music to causes including the anti-nuclear benefit album Life in The European Theatre, The World of Music and Dance album focusing on indigenous people’s art, and lent their voices to The Special AKA’s anthemic freedom cry Free Nelson Mandela, to name but a few.
Dave Wakeling once told me that every great band only has three really good albums. And true to form, The Beat decided to call it quits after their third album, Special Beat Service. Of course, that was not the last we would hear from the Beat boys.
After The Beat, Dave Wakeling formed General Public with his mate Roger. The band took off quickly, scoring numerous hits off the their three studio albums, including Tenderness, So Hot You’re Cool, Never You Done That, Come Again, Too Much or Nothing, and I’ll Take You There. Dave’s good looks and soulful crooning combined brilliantly with Roger’s gravelly toasting, high intensity showmanship and upful beat, and GP took the critics and fans by storm. While Dave was penning hits Stateside, Andy Cox and David Steele were putting their own band together. Andy and David placed an ad for a singer on MTv, and received an extraordinary gift, in the form of one Roland Gift. With Roland onboard, the Fine Young Cannibals was formed and right from the release of their first single Johnny Come Home, the band was a hit. Their two studio albums scored multiple hit singles, with tunes such as She Drives Me Crazy and Good Thing becoming instant classics. Not being slackers either, Saxa and Everett Morton put together their own band, International Beat, blending modern pop with traditional Jamaican rhythms to form a wonderful hybrid sound. International Beat toured around the world and released two live albums, including cameos from Dave and Roger.
Combined, all these bands scored multi-platinum record sales, sold out shows all over the world, and, most importantly, universal fan approval because they kept The Beat alive!
That ember was nursed back into a roaring flame in February 2003, when a dream came true for many Beat fans as the band reunited for a UK tour, culminating in a sold out command performance at the prestigious Royal Festival Hall! It was a wonderful night for the band and their fans.
Consummate showman that he is, Dave Wakeling has continued to keep The Beat alive and strong. How could he not? Dave continues to tour the world as The English Beat with an amazing all-star ska backing band playing all the hits of The Beat, General Public, and his new songs.
You just can’t stop The Beat!
Louis “Sir Lou” Kahn
Teflon Don is the birth of an emerging wave of ska music based out of entertainment metro, Orlando, FL. While ska bands of the past have reggae and Jamaican influences, Teflon Don is guided by an invigorating mix of American music like swing and dixieland. The band boasts an incredible 4-piece horn section, comprised of some of the best local jazz musicians and features complex, big-band horn lines and a magnetic sound. With shout vocals and a kicking rhythm section, Teflon Don has fans on their feet at every performance, selling out shows across Central Florida.
Teflon Don plays both ska favorites and original music which has filled a niche for innovative ska music. With influences like Reel Big Fish, Big Bad Voodoo Daddy, Streetlight Manifesto and Squirrel Nut Zippers, Teflon Don continues to make their mark across the state of Florida.
Founded by Jenny Morrison (Bass) and Chris King (Trumpet) in 2010, the band was formed based on a mutual passion for ska music. The band features members who are well known throughout Central Florida for their work as professional musicians in the community and collectively hold several degrees in music performance, music composition, recording arts, music education, and music business. The band highlights their incredible performers with riveting solos and throwbacks to jazz and ragtime music.
In September 2010, Teflon Don shot a low budget music video for their single, “One for the Drinkers” which was featured on Blank TV, he largest collection of punk, ska, oi, hardcore and indie music videos anywhere! Punknews.org featured Teflon Don on their news page for their DIY philosophy and independent music video release.
Teflon Don has opened for myriad of national acts including Big D & the Kids Table, Anberlin, J. Cole, The Pietasters, Mustard Plug, The Supervillains, We The Kings and more! The "suit and tie" ensemble continues to perform across the state at large festivals and venues. This riveting ska band has been featured in Connections Magazine twice in 2011 with rave reviews and was voted in the Orlando Weekly Reader's Poll for Best Ska/Reggae Act in both 2011 AND 2012. Teflon Don has been nominated for awards by the Singer Songwriter Association in 2011 and 2012 for most unique band, in 2011 for songwriter of the year (Jenny Morrison), and in 2012 for musician of the year (Chris King).
Members of the band recently performed in a video for ESPN's Monday Night Football with Hank Williams Jr., to be aired in the beginning of each game.